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Barber National Institute to Host Professional Development Workshop

posted on: Thursday, April 10, 2014

Erie Arts & Culture will partner with the Pennsylvania Council on the Arts, VSA Pennsylvania, the Barber National Institute and the Kennedy Center, to offer a professional development workshop. "Teaching the Arts to Students with Autism Spectrum Disorder" will offer practical teaching strategies for students on the autism spectrum.

 


The workshops will be held on: 
  • Monday, April 21, 2014

Click here to view a list of other VSA Workshops occurring in Pennsylvania.

The workshop will be a full day from 8:30 am to 3:30 pm (Registration opens at 8:00 am) and include the following topics:

  • An overview of characteristics of Autism, Asperger’s Syndrome and other pervasive Developmental Disabilities;
  • Strategies for using Universal Design for Learning to allow greater access to the curriculum for children with ASD;
  • Strategies for behavior management;
  • Hands on arts infused lesson plans; and
  • Best practices in assessment.

The workshop implements standards-based professional development training for educators and/or teaching artists to improve skills in teaching the arts to students with ASD pre-K through grade 12. Six Act 48 credits are available.

Workshop instructors include Judy Stewart, Critical Skills Specialist at the Barber National Institute, Anne Ellison, Behavior Analyst at the Barber National Institute and Tom Ferraro, professional fine artist and teaching artist. Techniques include lecture, discussion, collaborative group activities and art exercises.

The workshop is open to arts educators, teaching artists, administrators and special education professionals. Parents and other advocates are welcome to attend. A fee of $35 covers the cost of breakfast and lunch for participants. Six Act 48 credits are available. Registration deadline April 14th. Click here to register.


ArtsErie Artists in Residence with Kids as Curators

posted on: Thursday, January 23, 2014

Article by Lindsey Poisson, lindsey.poisson@timesnews.com
Originally posted on GoErie.com

It's the kind of art that takes grown-ups by surprise.


But give it a second. Soon, the rainbow of stuffed animals, a ziggurat built from cardboard and cathedrals made of Lego pieces, jewelry and other materials on display for the 10th annual Kids as Curators exhibit will start to make a lot of sense.

"It's like walking through the brain of a 13-year-old," said Kelly Armor, director of education and folk art at the Erie Art Museum. "It's a great exhibit for the community and for families."

The projects will be on display starting Saturday at the Erie Art Museum, 20 E. Fifth St., and will continue through March 23. Three schools are selected each year to create the exhibit, which incorporates kids' collections into interactive displays with different themes. For this year's project, students visited the Art Museum to learn about exhibits, then teamed up with local artists to plan and build their projects.

Students at St. George School were inspired by angles and constructed cathedrals. Sixth-graders at West End Elementary School in Meadville used stuffed animals to make a rainbow.

At Emerson-Gridley Elementary School, about 75 sixth-graders built a replica of an ancient Mesopotamian temple known as a ziggurat. Coming up with such a unique idea was the easy part -- thinking the project through, from start to finish, was the most challenging learning experience for students, said Deborah Sementelli, Emerson-Gridley's artist-in-residence during the project.

"What are you going to do? How are you going to put it together? You have to think about this," she said. "So we did some planning, and they did the work."

The students collected recyclable and used materials -- including paper-towel tubes, empty cereal boxes and film from old VHS tapes -- and spent about two months researching, measuring and constructing their project.

"We all just got our minds together and built it together," said sixth-grader Joshua Hall, 11. "I just liked having fun and learning new things about building and being an artist."

Hopefully, art lovers will enjoy seeing the ziggurat on display at the museum, too.

"I hope they want to do more research about it and see what is it, what does it stand for, what happened there," said sixth-grader Ajaray Ellis, 11. "Maybe they'll do more social studies."

Kids love stuff, Armor said. And the idea behind the Kids as Curators exhibit is to show students how art museums are just huge collections of interesting stuff.

"If you can make a connection between those two things, then kids get excited about the museum in a way they might not have felt before," she said. For the past decade, the exhibit has done just that. When young museum patrons see the exhibit, they instantly light up, Armor said.

"It's like watching a bunch of art-history grad students at the Louvre," she said. "They immediately connect with it."


LINDSEY POISSON can be reached at 870-1871 or by e-mail. Follow her on Twitter at twitter.com/ETNpoisson.


The Value of Creativity in Education

posted on: Friday, October 18, 2013

The following excerpts are reposted from:

"The Creativity Imperative" by Jessica Roake for Education UpdateOctober 2013

Success in the modern world demands innovation, complex problem solving, and new ways of understanding: it requires creativity. Leaders in nearly every profession list creativity as the most valuable asset in their field, but also complain about the lack of creativity in America's young workforce. In response, states including California and Massachusetts have developed creativity and innovation education indexes to measure how schools are fostering creativity, and the education community has contributed innovative pedagogy on the importance of creativity.

Misunderstood Potential 

"Creative" is often the adjective that teachers assign to students who seem daydreamy, distracted, or disruptive: traditionally negative attributes in the classroom. Yet, studies consistently show that daydreamers score higher on tests of creativity and distracted students are seven times more likely to be "eminent creative achievers," according to researchers Shelley Carson, Jordan Peterson, and Kathleen Smith.

Even when "creative" is not used as a negative signifier by teachers, it remains a challenging concept. According to Susan Brookhart, author of How to Assess Higher Order Thinking Skills in Your Classroom, "Many teachers want their students to be creative but are not entirely sure what to look for. Too often, creativity ends up meaning the report cover was nicely colored or something like that."

So What Is Creativity?

One of the trickiest aspects of successfully integrating creativity into one's teaching is defining it in practical terms. Thomas Crowley, who teaches at San Diego's Francis Parker School, says, "Creativity is a process of problem solving that leads to the aesthetic. Creative thinking is the ability to innovate pre-existing ideas and understandings in a novel, sometimes inventive, way."

Anthony Cody, a longtime Oakland, Calif., science teacher and consultant, adds, "Creative thinking is when, rather than simply following directions, we think for ourselves and come up with new ways  to look at problems. It means we are bringing our personal insights and experiences to bear, and actively investigating, rather than just following predetermined steps. It means using ideas or metaphors from other disciplines and thinking about things in new ways."

Although a surprising number of teachers believe that creativity is innate, "the good news," Ashley Merryman, coauthor of NurtureShock: New Thinking About Children, notes, "is that creativity is a skill that can be taught."

Encouraging Creativity in the Classroom

There are innumerable ways to create new and vibrant understandings for students through creative activities and approaches to subject matter. Among them:

  • Brainstorming in any subject: The purpose of brainstorming is to generate ideas. Not judge them.
  • Changing the environment: Setting up space for exploration in the classroom - whether through manipulatives centers, discussion corners, drama stages, or art tables - promotes creativity and revives tired minds.
  • Exposing students to new cultures: This not only broadens students' perspectives, but it also shows them that there is more than one way to approach a situation and find solutions.
  • Thinking Visually: Organizing, interpreting, and synthesizing knowledge visually helps students see connections and process ideas in new ways.
  • Encouraging creative synthesis in project-based learning: As an example, after Crowley teaches his students about 20th century warfare and shares examples of artistic responses to war, he asks them to produce an art piece, in any medium, that addresses one of the major themes of modern war. In addition to demonstrating their critical understanding of historical conflicts, the project requires the students to explore their own perspective (students can memorialize, glorify, or criticize warfare) creatively. Projects are accompanied by artistic statements that explain their intent and process, and the students view and critique one another's work in a culminating gallery event.
  • Using technology: There are many apps (photo editing, sketching, painting, etc.) that encourage the kind of divergent thinking skills that creative learners need to assemble information differently.
  • Drawing connections: Free yourself from rigid subject-matter borders and encourage students to forge unexpected connections. Shawn Cornally, instructor at Solon High School and the Big Ideas School in Iowa, describes this in action. "It's like a student who thinks to use a mathematical n-gram statistic to compare works of Shakespeare for uses of a specific kind of irony."

    For anyone looking to bring more than a dash of creativity into their classrooms or if parents are interested in learning about in-depth professional and educational artistic experiences for their children, ArtsErie offers artist in residence services for schools and community organizations.

    Take a look at some of the work the artists and teachers at Union City Elementary are doing with this semester's residency:


Investing in Early Childhood Education

posted on: Tuesday, July 30, 2013


On July 29th, 2013 the Economic Research Institute of Erie at Behrend College held its 11th annual conference. This year’s theme was the economic impact of early childhood education. The work of Dr. Timothy Bartik of the Upjohn Institute sparked the inspiration to raise dialog on this issue in Erie.
Research shows the value of early childhood (birth to age 5) education. Those with the opportunity to begin education before preschool usually have better test scores, attendance rates, more soft (social skills), and attain higher levels of education leading to higher wages earned during their lifetime. Beyond the benefit to the individual, the truly provocative points made at the conference were the real economic value and long term benefits to the community at large.

Investing in early childhood education has incredible benefits for kids and their futures, but it is also 
early prevention for social and behavioral problems, reduces welfare costs and crime and increases the number of citizens with excellent job and interpersonal skills who work well with others.

Some successful programs that offer opportunities for early education are PNC’s Grow Up Great, Young at Art Museum and Keystone Stars. ArtsErie’s arts in education program partners with South Hills Child Development Center and teaching artist Siobhan Walsh to infuse dance and movement into early childhood learning for a creative way to teach culture and language.


The arts are particularly important in early childhood education in their potential for engagement and how they transcend language and communication barriers. A major component of a quality early childhood education program is play, stated Nancy Kalista of Early Connections during  the conference’s panel discussion. And what is art if not play? Creative and experimental opportunities provided during arts experiences are essential in the development of soft and fine motor skills of young children.

For more information, check out Dr. Bartik’s research and the PA Early Learning Investment Commission.


Technology and Arts Infused Education

posted on: Thursday, July 18, 2013

ArtsErie's Arts in Education Learning Lab session will highlight technology infusion in arts residencies




Many children navigate effortlessly between the worlds of digital technology, the arts and other areas of learning. In the Arts in Education Program, we have been considering how technology-mediated residencies unlock opportunities for multisensory communication and expression in conjunction with areas such as dramatization, debate, movement, dialogue, video and storytelling. How do we encourage children and develop sophisticated pathways and approaches to learning with technology? One way is to develop equally sophisticated teaching strategies grounded in effective practices in educational technology. 

The “TPACK” (or Technological Pedagogical and Content Knowledge) framework created by Punya Mishra and Matthew Koehler, is an approach to integrating technology into learning experiences. As a tool, it helps us to consider the expert knowledge that is needed in considering the intersection between technology, pedagogy and content. When these three areas are considered together, technology integration strategies become more aligned with how teachers and teaching artists plan educational experiences, rather than simply designing instruction around the use of randomly chosen technology tools.



How can learning activities be developed that appropriately incorporate technologies, while also addressing educational goals? Also, how can teachers and teaching artists choose among the many educational technologies available, such as arts-related software, Web 2.0 tools, and mobile apps? These questions will be addressed Monday, August 12 at the 3rd annual Arts in Education Learning Lab as Jude Shingle and I will present, “Exploring Technology Infusion in Oompa-Loompa Land: Developing Technological, Pedagogical and Arts-Infused Content Knowledge.” During this session we will address the role of technology in arts-infused residencies as we guide participants through the TPACK framework and how to use the TPACK activity types when considering technology-infused learning.

Register for the Learning Lab today!


Camille Dempsey is the Technology and Visual Arts Specialist in the Art in Action Project. As a Staff Development Consultant, she works with various school districts, non-profits and in small business. Prior to her current work, she served as the Art Education Program Director and an Assistant Professor of Art at Mercyhurst University. Camille has also worked as a K-12 art educator in Pennsylvania, Connecticut and New York City.

She is also a doctoral candidate in Instructional Technology at Duquesne University. Her dissertation explores the concept of “virtuality culture” as a theoretical expansion of  Walter Ong’s work in the areas of orality and literacy culture. Her educational background also includes study at Teachers College Columbia University (MA in Art & Art Education), University of Pennsylvania & Pennsylvania Academy of The Fine Arts (BFA) and Edinboro University (School Leadership studies). 


Arts in Education Learning Lab Conference

posted on: Monday, July 08, 2013

Hands on dance/movement workshop for the reading classroom at the 2012 Learning Lab

The 3rd Annual Learning Lab for arts in education will be August 11-13th, 2013 at Allegheny College. This year’s three day conference will be on the theme of Sustaining Arts Infusion. We proudly welcome keynote speakers R. Scot Hockman from South Carolina’s Department of Education and Christine Fisher from the Arts in Basic Curriculum Project. They will address why arts infused education is important, how we get there and what whole school infusion looks like. Click here for the schedule of events.



The Learning Lab is a three-day conference dedicated to exploring, discussing and supporting the use of arts in education. Funded by a Department of Education Model of Arts in Education Model Development and Dissemination grant, ArtsErie's Art in Action program has implemented a methodology of arts in education which infuses common core curriculum and state education standards with the arts. Through this more engaging and experiential teaching strategy, the focus has been on planning, process, documentation, evaluation and whole school buy-in. The Learning Lab is a professional development opportunity for teachers, administrators and teaching artists. Click here to register.


Dr. Rosemary Omniewski leading a workshop at the 2012 Learning Lab

Dr. Jan Hyatt Leading a workshop at the 2012 Learning Lab

This year’s Learning Lab is offering a one-credit graduate course “Sustaining the Arts Infused Classroom” available through IU5. Taught by Dr. Rosemary Omniewski, Edinboro University and Dr. Janyce Hyatt, Allegheny College, the course is free to Art in Action teachers and artists who have teaching certification. Anyone else who is interested is welcome to audit the course at no fee. Ten hours of outside reading and 2.5 hours of discussion prior to the Learning Lab will be required for those who wish to take the course. At the end of the Learning Lab, those who are taking the class for credit will have a 1.5 hour sharing and reflecting session. All remaining course content will be satisfied by attending the Learning Lab. Course text books will be available through the Allegheny College bookstore.


Check out this video for highlights from last year's Learning Lab.
Register today for this year's Learning Lab!

Box of Light: Where Thought is Play

posted on: Tuesday, April 02, 2013

by Stephanie Westley, ArtsErie Program Assistant

One Friday evening, I dropped in to the Neighborhood Partnership Center (formerly the Bethany Center) at 254 E 10th Street to check out the end of a robotics class at the Box of Light Studio. After class, I got a chance to chat with Box of Light instructors, Jude Shingle and Annie Schmitt. I spoke separately with Box of Light mastermind Rand Whipple a few days later for his perspective.


Lego builds are only one of the fun activities at Box of Light.
POL 2013

Stephanie Westley: What is Box of Light?

Rand Whipple: It is a digital arts studio. Box of Light lives where technology and art meet. We do animation and film; we work with computers and cameras. We ensure that it is a studio that teaches people to make their own media and see themselves in the films they make.

SW: Box of Light just opened its new Erie studio in March after holding its classes at the Erie Art Museum. What are you most looking forward to being here in your new studio?

RW: Going to the studio for our opening night was fun and exciting. I drove out to Erie from my hometown of Bloomsburg where I first started Box of Light ten years ago. The kids were there with their families and they showed up. I heard people might not go to east Erie, but it is a block from the stadium. Opening the studio on March 2nd was a fun happy time for me.

Jude Shingle: Making a really cool space where kids can come and hang out. We want to make it comfortable and fun. It fosters good relationships where ideas are not discouraged. We guide things and everyone is encouraged.

Annie Schmitt: It’s a fun, safe place to play.

SW: What classes do you offer now?

JS: Lego animation, robotics, KidTV which is where kids make their own TV show, comic book drawing where kids learn drawing through comic book making, and Claymation.

SW: What ages are appropriate for your classes?

JS: We have children as young as 6 up to 14. The classes work for all ages because it’s based on the child, what they're capable of and interested in, and we create a path that’s rewarding for them.
 

SW: What are the projects you will be working on for your summer camps?

JS: The best answer is on our online summer schedule. But they will include Claymation animation, robotics, Lego animation, costume making, monster movie madness, and a one-day camp called the Greatest Art Making Ever where in three hours, we will travel through time and visit the coolest art making techniques known to man.

SW: What skills do your classes instill in participants?

RW: Computers are tools for expression, for you to look at your life, decide what you want to say and create with words, images and sound. Students get computer skills and media literacy which is understanding how to bring in an image or sound, manipulate it or filter it, and use it to say something to the world.

AS: With robotics it’s very much about logic and everything is about problem solving.

JS: The biggest thing is building up resilience when you are in the face of failure. We teach how to persevere and think about something, break it down into steps so you know how to approach it, and really problem solve.

SW: What is some of the feedback you’ve heard from parents?

JS: Very positive. They’ve said that they have been looking for something like this, and we are it. One said her nephew loved it and he wants to come back. Another parent who overheard said, “Yeah, that happens.” You won’t have a choice; kids always want to come back. Any parent who has observed the class understands that learning is happening and that makes them even more thrilled.

AS: Getting kids to work together in groups has been very helpful for shy kids. Parents that are nervous about their kids not working with others come and they are fine.

SW: If you were a kid and you wanted to come to Box of Light classes, what classes would you take and what would you say to your parents?

AS: I would do KidTV because I’m a ham.

JS: I would tell my parents to let me sleep here every day. If you ask the parents, that’s what most of them say. The kids ask, “What are we doing tomorrow?” And the parents say, “Sorry, we aren’t coming here tomorrow.”

I would do everything here.

I would live here.

Want to check out Box of Light for yourself?
Come to the Studio Open House
on Saturday, April 6th at 1 p.m.
for a Lego Build and Film Event!
 

 


South Hills Students Dance Their Way Through Rivera

posted on: Tuesday, April 02, 2013


South Hills students reenact Diego Rivera’s Detroit Institute of Arts mural, 1932, through dance and movement.
Click each image for a larger view.
South Hills residency

The kindergarten class at South Hills Child Development Center experienced an artist in residence, dancer Sioban Peterson-Walsh, thanks in part to the ArtsErie Arts in Education Partnership and the parents of South Hills’ students. Sioban worked with the students for four days where they explored connections between movement and learning. The children looked forward to the residency and spent a large part of their mornings using their imaginations and bodies.

South Hills administrator Connie Kerr Vogt stated: “I was so pleased to see children, who typically are shy about joining in group activities, dancing about the room; children who have difficulty focusing, listening intently and creating imaginative dances about the room; children who were reluctant to participate and sat through the first day, suddenly fly with confidence about the classroom for the rest of the week!”

The children’s activities included ‘dance’ paintings, inspired by Diego Rivera’s industrial mural, painted in 1932 at the Detroit Institute of Arts. They observed the activities in the work, described what they saw, and interpreted their observations through dance and movement: pulling, pushing, reaching, winding, hammering, twisting, carrying, and riveting. Kerr Vogt observed: “They learned about exaggeration with their bodies to better convey their movements. And they practiced open and closed movements with their bodies and how that might be used as they conveyed the words derived from the painting.”

Through this residency, the children participated in Action Based Learning to increase their movement skills and core balance with the additional dimension of creativity and imagination. The residency is not totally paid for at this point. Donations can be made to ArtsErie to support arts in education and the South Hills residency.


Art in Action partnering teacher to present at national conference

posted on: Tuesday, March 05, 2013

Megan Sabatini, Union City Art Teacher and Art in Action partnering teacher, will attend and present at the National Art Education Association (NAEA) Convention in Dallas/Ft. Worth Texas in March 7 - 10, 2013.

Megan will be presenting with Boston University Department of Art Education head, Dr. Judith Simpson , about place based teaching. Megan's students at Union City Elementary School designed three Sense of Place murals that were interdisciplinary and connected to their community. This body of work grew out of a residency with ArtsErie's Art in Action program.

As an educator presenting at the NAEA conference, Megan will witness firsthand the emerging research and practices in art education. Also, her participation in the NAEA National Convention aligns with Union City Elementary’s, and Art in Action's, learning objectives which encompass interdisciplinary education, infusing the arts in teaching, teaching 21st century skills, and developing meaningful instruction that is connected to the lives of students.

The convention is themed "Drawing Community Connections," which emphasizes the importance of utilizing community connections and taking advantage of local resources. This theme will be seen throughout the National Convention in various lectures, workshops, and presentations. The convention theme also aligns with ArtsErie's mission and vision of promoting the arts throughout the community with local artists and art organizations. ArtsErie supports arts infusion and interdisciplinary education, two areas that are highlighted in the National Convention. Megan will share her experiences at the NAEA Convention with the ArtsErie community through her blog.

NAEA Conference Info:
The NAEA National Convention is an annual event providing substantive professional development services that include the advancement of knowledge in all sessions, events, and activities for the purpose of improving visual arts instruction in American schools. As such, it is the world's largest art education convention.

The four-day convention includes over 1,000 participatory workshops, panels, seminars for job-alike groups; research reports, discussions, exhibits, and tours; keynote addresses by world-acclaimed educators, artists, researchers, and scholars with the opportunity to connect with your colleagues from all over the world. Each year some 140-200 exhibitor booths displaying the latest art textbooks, high-tech software, prints, slides, curriculum materials, equipment, and programs, as well as the latest studio and art history media are made available for examination and review to art educator delegates.


Register for the Art in Action Learning Lab in August

posted on: Tuesday, July 10, 2012

ArtsErie’s Art in Action Program will host an Art in Action Learning Lab from Sunday, August 12 to Tuesday, August 14 at Allegheny College in Meadville. The conference is open to AIA partner school administrators, teachers, staff, teaching artists, as well as teachers and teaching artists outside of the program who want to know more about arts integration and arts infusion.

The theme of the Learning Lab is “Making an Impact.” Sessions will focus on practical applications for using art in the classroom, as well as ArtsErie’s Art in Education program.

The registration fee includes workshops, group meals and snacks, a school calendar and the chance to win gifts. An ArtsErie member discount is available. Teachers may also receive nine hours of Act 48 Credits.

To learn more and to register for the Learning Lab, visit artinaction.wikispaces.com.

For more information, contact ArtsErie at (814) 452-3427 or info@artserie.org.